![]() ![]() ![]() Exiled, Blackwolf vows revenge.ģ,000 years later, Blackwolf, now leader of the bleak and mutated land Scortch, tries to act on his long-planned vengeance. After Delia’s death, Blackwolf attempts to seize control but is defeated in battle and banished from the land by Avatar. Montagar is ruled by the benevolent fairy queen Delia, who gives birth to twin wizard sons: the kind and benevolent Avatar and the evil mutated Blackwolf. The few unscathed members of humanity have been replaced with fairies, elves, and dwarves in the land of Montagar. Several million years in the future, Wizards takes place on a post-apocalyptic Earth where most of the survivors have been transformed into radioactive mutants. In many ways, Wizards is the quintessential Bakshi film: a sometimes fascinating, sometimes cringe-worthy, and undeniably ambitious work made without the time and resources to fully realize those ambitions but always interesting. This was 1977’s Wizards, his first foray into the world of fantasy-a genre that he had been interested in since childhood, and one which would be a significant chunk of his subsequent screen output. Perhaps sensing that the marketplace was becoming less receptive to the narratives he had specialized in up to that point, Bakshi made a serious pivot with his next project. And his ambitious live-action/animation hybrid Hey Good Lookin’ would be completed in 1975 but sit on a shelf for years until finally receiving a token release in 1982 in a radically reconceived form which excised almost all of the live footage. But the racially-charged Coonskin (1974) did better at sparking controversy than selling tickets. Crumb’s Fritz the Cat (1972)-would go on to become a cult sensation, and his follow-up, Heavy Traffic (1973) would also do well. Not only did his films tackle issues regarding race, sex, and class in graphic and sometimes profane ways, he did so within the framework of feature animation-a format that many, particularly in the U.S., equated almost entirely with family entertainment.īakshi’s first film-a feature adaptation of R. Although his name and efforts are often diminished or ignored by many histories of 1970s American cinema, Ralph Bakshi was one of the most audacious filmmakers of the era. ![]()
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